January 2017 – Taking it to the #APOmax
A record 75 concert virgins were part of an enthusiastic audience for our #APOmax programme. Continuing our proud tradition of promoting the music of young composers, we presented our 16th world premiere in 15 years: Max Charles Davies’ The Way of Things. The piece was well-received, particularly the searingly beautiful opening flute cadenza, that was presented as if an encore to Nielsen’s Flute Concerto by soloist Nicola Loten, only to morph into the new work unannounced.
Max’s delightful Tiny Symphony opened the programme, which concluded with Tchaikovsky’s Symphony No.1, ‘Winter Daydreams’. Here’s a short video with some mobile phone footage taken from one of our players who was unable to play in this particular concert. Obviously, the sound quality isn’t terrific from a phone camera, but it gives a great view of percussionist Chloe Beaumont playing the anvil (!) at the end of The Way of Things, as well as the exhilarating conclusion of the Tchaikovksy.
December 2016 – all change at the AGM
During the lunch break for the initial rehearsal of our #APOmax programme, on Sunday 11th December, APO held its annual general meeting. As usual there were reports from the Music Director, Chairman and Treasurer, reflecting on a spectacular year of music-making and development from the orchestra, from our brilliant #APOpictures project, to our debut at the Reading Fringe Festival, through to the incredible experience of 144 performers raising the roof in Mahler’s Second Symphony.
There was also a changing of the guard, with several committee members stepping down after years of service. Becky Stewardson, Anna Nash and Anastasia Arapi stood down, with Andrew Le Breuilly resigning as Chairman after 3 very successful years. Andrew was elected Treasurer, where he will work with new Fundraising Officer Katie Hepworth on bringing the exciting fundraising strategy he presented at the meeting to life. Emily Bushby takes over as Chair, leading other new members of the committee Ana Olarou (Publicity) and Michael Rowley (Outreach). Existing committee members Laura Baker and former Treasurer Nicola Lawson are taking on the roles of Secretary and Generalist, respectively.
Several other non-committee roles were also announced, and as ever the discussion at the AGM was stimulating and passionate, showing that APO members are energised and excited about what’s to come in the next year.
October 2016 – cheers and tears for #APOauferstehung
Our performance of Mahler’s Second Symphony, ‘Resurrection’, was greeted by a standing ovation, cheers and more than a few tears (from the audience and performers alike). 144 performers crammed onto the extended stage of The Great Hall at the University of Reading, with the audience of over 300 captivated by the emotional range of the music, from the anguish of the first movement to the incredible sound of the conclusion, as captured in this video (made with only rudimentary equipment and only partially representing the floor-shaking, roof-raising sound on the night). Soloists Harriet Kirk and Fiona Harrison delighted us with their singing, as did our friends from Tamesis Chamber Choir, who joined forces with our own singers under the guidance of Louise Rapple Moore. APO’s 50th concert will live long in the memory!
October 2016 – APO gears up for #APOauferstehung on Saturday 15th October
We’ll round off our contribution to the Reading 2016 Year of Culture by teaming up with one of the town’s best choirs, Tamesis Chamber Choir. We’ll perform Mahler’s epic Symphony No.2, ‘Auferstehung’ or ‘Resurrection’, on Saturday 15th October, 7.30pm, at The Great Hall, University of Reading, London Road Campus.
APO started the Reading 2016 Year of Culture by collaborating with jelly on the #APOpictures project in January, explored the theme of friendship with its #APOfriends concert in May, before making its debut at the Reading Fringe Festival in July with #mozartunwrapped.
“Those were big projects, but #APOauferstehung is on a different scale altogether”, says APO’s Music Director, Andrew Taylor. “The ‘auferstehung’ calls for an enormous ensemble; we’ll have over 100 players in the orchestra and nearly 50 in the choir, with our singers joining forces with Louise Rapple Moore’s fabulous Tamesis Chamber Choir. Mahler uses these forces to create a world of emotions, from hushed tranquility, through pain and anger to one of the most exciting and uplifting choral finales of any piece. The sound and the experience will be quite incredible.”
The piece also calls for two soloists. One of these, local mezzo-soprano Harriet Kirk, came to the attention of APO through a Twitter conversation about the Reading 2016 Year of Culture with BBC Radio Berkshire: “Andrew spotted the conversation and got in touch, seeing that I was a professional singer. After he heard me sing he asked whether I’d like to take on the beautiful mezzo solos in the Mahler and I jumped at the opportunity. It’s another great example of how the Reading 2016 Year of Culture has brought together artists in the Reading area.”
Here’s some (poor sound quality) footage from rehearsals, from the conductor’s perspective!
August 2016 – Pictures at Our Exhibition goes to Cambridge University and the Royal Conservatoire of Scotland – July-August 2016
Following the commission, first performance and recording of Pictures at Our Exhibition, APO’s latest project has expanded, with presentations and panels featuring #APOpictures at events held at Cambridge University and the Royal Conservatoire of Scotland, in July-August 2016.
Members of the orchestra are involved in continuing this educational project by taking the work into schools, by uploading educational resources onto websites and in one case, by using the work as an example of good practice within advocacy research projects within an academic context.
This summer, APO trumpeter, and by day Head of Department of Music at Kingston University, Dr. Helen Julia Minors, integrated APO’s Pictures at Our Exhibition into two recent presentations. For more details, visit the Pictures at Our Exhibition website – www.picturesatourexhibition.org.uk.
|Tweets by @aldworthphil|